Having defeated the Joker, Batman now faces the Penguin - a warped and deformed individual who is intent on being accepted into Gotham society. Crooked businessman Max Schreck is coerced into helping him become Mayor of Gotham and they both attempt to expose Batman in a different light. Earlier however, Selina Kyle, Max’s secretary, is thrown from the top of a building and is transformed into Catwoman - a mysterious figure who has the same personality disorder as Batman. Batman must attempt to clear his name, all the time deciding just what must be done with the Catwoman.
Set in France around 1760-1770. The Marquise de Merteuil needs a favour from her ex-lover, Vicomte de Valmont. One Marquise de Merteuil’s ex-lover, Gercourt, is planning on marrying a young, virtuos, woman called Cecile de Volanges. The Marquise would like Valmont to seduce Cecile before her wedding day. Meanwhile Valmont has a conquest of his own in mind, Madame de Tourvel, a beautiful, married, and God fearing woman. The Marquise doesn’t think that Valmont can do it, she tells him that if he can provide written proof of a sexual encounter with Madame de Tourvel, that she will offer him a reward, one last night with her. But Valmont will find himself falling in love with Mrs. de Tourvel, embrasing the deadly jealousy of the marquise de Merteuil.
Every man’s dream comes true for William Thacker, a successless Notting Hill bookstore owner, when Anna Scott, the world’s most beautiful woman and best-liked actress, enters his shop. A little later, he still can’t believe it himself, William runs into her again - this time spilling orange juice over her. Anna accepts his offer to change in his nearby apartment, and thanks him with a kiss, which seems to surprise her even more than him. Eventually, Anna and William get to know each other better over the months, but being together with the world’s most wanted woman is not easy - neither around your closest friends, nor in front of the all-devouring press.
The director of an asylum offers to the serial killer Molly Keller (Erin Karpluk) a chance to be submitted to a pilot unconventional experiment in Prague, in the Weisser Institute. Molly accepts, and she travels to the clinic, where Dr. Samuel Wiesser (Richard Bremmer) developed a treatment using a virtual world, and Molly and deranged youngsters would be trial subjects. However, something does not work well in the experiment, and when the patients die in their trip, the same happens in the real world. The explanation is a huge twist point in the very end of the story.
Imagine our wireless technologies made a connection to a world beyond our own. Imagine that world used that technology as a doorway into ours. Now, imagine the connection we made can’t be shut down. When you turn on your cell phone or log on to your e-mail, they’ll get in, you’ll be infected and they’ll be able to take from you what they don’t have anymore — life.
Man on the Moon is a biographical movie on the late comedian Andy Kaufman. Kaufman, along with his role on “Taxi,” was famous for being the self-declared Intergender Wrestling Champion of the world. After beating women time and time again, Jerry Lawler (who plays himself in the movie), a professional wrestler, got tired of seeing all of this and decided to challenge Kaufman to a match. In most of the matches the two had, Lawler prevailed with the piledriver, which is a move by spiking a guy head-first into the mat. In one of the most famous moments in this feud was in the early 80s when Kaufman threw coffee on Lawler on “The Late Show with David Letterman,” got into fisticuffs with Lawler, and proceeded to sue NBC.
Since a road accident left him with serious facial and bodily scarring, a former ‘TV scientist’ has become obsessed by the marriage of motor car technology with what he sees as the ‘raw sexuality’ of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes who they contort into the shape of trapped-corpses. Ultimately, the scientist craves a suicidal union of blood, semen and engine coolant, a union with which he becomes dangerously obsessed.
London, 1903: four lads, three women, and J.M. Barrie in the year he writes “Peter Pan.” After one of his plays flops, Barrie meets four boys and their widowed mother in the park. During the next months, the child-like Barrie plays with the boys daily, and their imaginative games give him ideas for a play. Simultaneously, a friendship deepens with Sylvia, the lads’ mother, to the chagrin of his wife Mary, with whom he spends little time (separate bedrooms), the widow’s mother, and high society, which gossips about his attraction to the widow and to her sons. As Sylvia’s health worsens, Barrie’s ties to the boys strengthen and he must find a way to take his muse to Neverland.
Genres: Drama
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Talented but plagued by her owns demons Sylvia Plath’s early relationship with husband and fellow poet, Ted Hughes, is dominated by Ted’s ambition and success. In the early years of their marriage Sylvia lacks inspiration and increasingly senses Ted’s infidelity. The unspoken question is whether Ted’s extra-marital affairs are the result of Sylvia’s own insecurities or whether Sylvia’s deepening depression is exacerbated by her husbands philandering. It is only towards the end, when they are separated, that Sylvia is able to truly explore the dark depths of her soul and write the searingly brilliant poetry that earned her fame.
To avoid spoiling the movie this plot summary is very brief. It starts when three people living together in a four bedroom flat are looking for a house mate. The interviews they conduct are very unorthodox and very funny. Eventually the three agree on one prospective tenant. He moves in, locks his door, and is not seen again. After a couple of days the three become curious and break in to his room. What follows is an amazing piece of cinema and to say more would ruin it.